Yuyutsu Sharma’s Upcoming Reading Tour 2017 : New York, Massachusetts & California

 

Saturday, Oct 21, at 6 pm to 9 pm Brooklyn Launch of Yuyutsu Sharma’s Eternal Snow and A Workshop with the Himalayan Poet, Hosted by Yoga Sole, Windsor Terrace Brooklyn – 254 Windsor Place – Brooklyn, NY 11215 Tel: 718.541.1382 , Reading$ 10pp  Workshop $25pp Reading included) www.yogasole.com Host : Evalena Leedy evalena@yogasole.com

Monday, Oct 23, at 7:00 pm: Yuyutsu Sharma Reading at Boston Launch of Eternal Snow with Timothy Gager at Out of the Blue Gallery,  in the Stone Soup Poetry Series, at  541 Massachusetts Avenue, Cambridge. Host: Chad Parenteau  https://outoftheblueartgallery.com/

 

Saturday, November 11,  Noon  to 2.30 pm: Yuyutsu Sharma Reading and workshop Berkeley Public Library, Hosted by Berkeley Public Library,  2090 Kittredge St, Berkeley, CA 94704, USA  Host: Isobel Schneider, ischneider@cityofberkeley.info,  https://www.berkeleypubliclibrary.org/ (Details to be confirmed soon)

Monday, November 13, at 7 pm until 9 pm: Yuyutsu Sharma Reading as Feature Poet at Poetry Express Berkeley. Hosted by Poetry Express Berkeley, at Himalayan Flavors, 1585 University Avenue, Nearest Cross St. California, Host: Jim Barnard,  poetryexpress@gmail.com, www.poetryexpressed.com

Tuesday, November 14, at 6:30 pm, Yuyutsu Sharma reading at The Long Island Launch of Eternal Snow,  Port Jefferson Free Library, 631 473-0022 100 Thompson Street Port Jefferson, NY, 11777, 631-473-0022 Fax: 631-473-2903 info@portjefflibrary.org Hosted by Kat Lamberg

Saturday, November 18, at 2 pm until 4 pm: Yuyutsu Sharma Reading with David Austell & Barbara Novack at Oceanside Library  30 Davison Ave, Oceanside, NY 11572, USA. Hosted Peter V. Dugan, 516-287-5239  http://www.oceansidelibrary.com/

Upcoming Brooklyn Launch of Eternal Snow and Poetry Workshop with Yuyutsu Sharma at Yoga Sole, New York

Upcoming Brooklyn Launch of Eternal Snow and Poetry Workshop with Yuyutsu Sharma at Yoga Sole, New York
http://yogasole.com/eventskarma/yuyupoetry.html

Brooklyn Launch of

Yuyutsu Sharma’s Eternal Snow

& A Workshop with the Himalayan Poet

Saturday, Oct 21st

Workshop will be 6:00pm – 7:00pm $25pp

(includes reading)

Reading will be 7:30pm – 9:00pm $10pp

In the workshop

Yuyu will share his experiences and recite mantras and prayers to evoke the Himalayan world, especially, Devataatma, a Sanskrit word for the Himalayas, meaning the place where Soul of the God lives. After years of traveling the globe as an itinerant poet, Yuyutsu Sharma has earned the respect and admiration of thousands of people all over the world. Yuyu will unravel the secrets of Himalayan spirituality, inducing the participants to write fresh poetry likely to be published in the second volume of Eternal Snow.

The Reading will be the

The Brooklyn launch of

“Eternal Snow:  A Worldwide Anthology of One Hundred Twenty-Five Poetic Intersections with Himalayan Poet Yuyutsu RD Sharma

will take place.

 

Editors will share their experiences of editing this mammon anthology.

 

Select Poets include:

David Austell, Ruth Danon, Carolyn Wells, Catherine Gigante-Brown, Jack Tar, Nancy R Lange, Bill Wolak, Mindy Kronenberg, Su Polo, Robert Scotto, Michael Graves, Bari Falise,  Christi Shannon Kline, Dan Szczesny, Kymberly Brown, James Romano, Jack Tar, Marion Palm, Eugene Hyon, Patricia Carragon,
Jan Garden Castro & others will read from the book.

Nirala to release distinguished American poet and playwright Irene O’ Garden’s “Fulcrum: Selected Poems in December 2016

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Fulcrum: Selected Poems

by Irene O’ Garden

ISBN 9-788182-500860  pp.90 2017 Hardcover Demy

 

Praise for Irene O’Garden’s Work

Sparkling musicality, deep emotion and discerning reflection distinguish O’ Garden’s poems. Here is a fine intelligence at work—and at play—revealing a tonic perspective in a range of poetic expression, including lyric, narrative and her own innovative “fulcrum” forms. Her close observation and sensual delight in language make “Fulcrum” an experience both grounding and uplifting.

“Bewitching…astounding…heartbreaking” — New York Times

“For many years now, the poet, playwright, and memoirist Irene O’Garden has been a hero to me. I think of her as a walking, writing, beam of light… numberless others will come to know her gifts and, most of all, her captivating talent for wonder and marvel.”

Elizabeth Gilbert, author of Eat, Pray, Love

“Lush imagery…poetry set to the life cycle of nature.”

–Kirkus Reviews

 

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Distinguished American poet and playwright, Irene O’ Garden’s poetry has found its way to stage, e-screen, hardcover, literary magazines, anthologies and now, her first collection. Her critically acclaimed play Women On Fire, (Samuel French) played sold-out houses at Off-Broadway at the Cherry Lane Theatre and was nominated for a Lucille Lortel Award. O’Garden won a Pushcart Prize for her lyric essay “Glad To Be Human,” (Untreed Reads) Harper published her memoir Fat Girl (Untreed Reads, e-form) and her poems and essays have been featured in dozens of literary journals and anthologies. O’ Garden founded The Art Garden, a performing literary magazine which she produced and hosted for twenty-five years. She now contributes to the spoken word event 650-Where Writers Read, in New York City and Sarah Lawrence College. Irene is also a Poetry Educator with the Hudson Highlands chapter of the national River Of Words program, connecting children to nature via poetry and art.

Praise for Irene O’Garden’s Fulcrum.

Fulcrum is a stunning assessment of human life on the planet, a requiem of the mutant seasons when ‘wind steals/the juices from our eyes/our land cracks open / with an unrequited love ‘and ‘our mountains are on fire.’

Experimental, theatrical and engaging, these poems are like molten lava of our minds, ‘a single stinging tear,’ a howl of every heart, a garland of ‘offered images’ on the altar of life,  ‘funeral of funerals themselves,’ and a song of  ‘American shame (that) brings us to our knees.’

This is a newer version of The Waste Land, a metaphoric pyramid of natural elements whose admirations ‘blooms like fruit,’ a casebook of the wounds of life and the wisdom you draw out of them. Like splinter of a stone that the poet once stepped on never came out, the poems once read will become part of you and help you ‘know the knowing that we know.’

–Yuyutsu Sharma, Himalayan Poet, author of Quaking Cantos; Nepal Earthquake Poems and A Blizzard in my Bones: New York Poems

The poems in Irene O’Garden’s new book, Fulcrum, illustrate the importance and vitality of poetry in our daily lives.  Beautiful imagery, powerful emotions, simplicity, complexity and thought provoking subjects – all drawn from relatable life experiences – make reading her work a journey of discovery and reflection by focusing on what it means to live a life of passion and wonderment.   Like the author herself, the poems in these pages inspire and draw one in. This is a beautiful collection.  

Professor Jane Kinney-Denning of Pace University, President of Women’s National Book Association

Somewhere between Wordsworth and Dylan Thomas but soaring on her own wings, Irene O’Garden flies high, taking language to new strata with effortless-appearing dips and ascents which made me gasp. Every line could be a poem in itself. I often thought of the “green fuse of life” as nature and color combine in indescribable but absolutely recognizable ways.”

—Laura Shaine Cunningham, best-selling memoirist (Sleeping Arrangements and A Place in the Country) and frequent NY Times contributor.

An immersion into what we relish, how we live, a kind of shining beacon that doesn’t shy away from the tough stuff…Highly recommended.

Janet Pierson, Producer SXSW Film Conference and Festival

In a far-ranging and elegant suite of poems, Irene O’Garden balances a galaxy of incommensurates on the fulcrum of a disciplined intelligence. “I am a blueprint of Herbert-like sacred meditation, the latter in a narrative about being chased by a bull. Her technique suggests influences ranging from Donne to Bishop, from Frost to Moore. Soulful and rewarding, these poems remind us that “We’re not made of matter but of mattering.”

—T.R. Hummer, whose poems appear in The New Yorker, Best of American Poetry, Harper’s, Atlantic Monthly, Paris Review, and twelve volumes of his own.

Having delighted in and been enlightened by Irene’s eloquent human poetics for over two decades, I was kind of shocked when she told me this was her first published poetry collection. I couldn’t quite believe it. Then I checked all her warmly gifted and gratefully shared titles on my bookshelf and yes, indeed, this was her first poetry collection.

And thus, Fulcrum, where we all balance and “blossom like a love-mussed bed.” Like “a wound in the noon of a life.” Language hinging on voice. Voice on the cyclone currents of our aches and pains. Our joy and promise. The realization that “I sing a thanking song.” And “caress creation’s verbs.”

– – Mike Jurkovic, curmudgeon poet, VP, Calling All Poets

Nirala to launch American poet Karen Corinne Herceg’s Out From Calaboose: New Poems in November

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Out of Calaboose :New Poems

Karen Corinne Herceg

ISBN 9-788182-500853  pp.91 2017 Paper Demy

American poet Karen Corinne Herceg graduated magna cum laude from Columbia University with a B.A. in Literature & Writing and has graduate credits in editing, revision and psychology.  A recipient of N.Y. State grants, she has featured at major venues such as The N.Y. Public Library, The Queens Museum, The Province town Playhouse, St. John’s University, Binghamton University and many others with such renowned poets as Pulitzer Prize winners John Ashbery and Philip Schultz and poet William Packard, founder of The New York Quarterly. She has studied with David Ignatow, Philip Schultz and writer/novelist Glenda Adams. Karen was co-founder and editor of The First East Coast Theatre & Publishing Company which published poetry by Anna Adams, Stuart Kaufman, Roger Steigmeier and a novel by Charles Powers.

Her first volume of poems is Inner Sanctions. She publishes poetry, prose and essays in a variety of magazines and literary journals. Karen’s most recent publications include Antioch University’s Lunch Ticket Journal, The Avalon Literary Review, MockingHeart Review, Badlands, The Furious Gazelle, Reminisce—a publication of Readers Digest– and several publications in the U.K. Her work is read on various radio broadcasts, and she has been interviewed by The Epoch Times. Karen is currently working with Khalilah Ali, writing her memoirs as the former wife of the legendary Muhammad Ali.

Karen is a member of Poets & Writers, Writers Digest, the Academy of American Poets, PEN America, The Poetry Society of America and C.A.P.S. and is a featured poet on the New York poetry scene. Her website is: www.karencorinneherceg.com and you can also follow her on Facebook, Twitter and Instagram.

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Clutching her vision firmly in hand, Karen Corinne Herceg paints her inner world in such a vivid fashion that I was compelled to submerge myself in Out From Calaboose completely, and then not surface at all until I put down the last poem. What I wove through during the course of that reading was a feast: imagery fine enough that it startled; rhythms that wove from poem to poem, joining all their music together; and language so sleek that not one word had been left standing if it ought not to be. In this collection, Herceg brings us her life and all its many emotional truths, some ugly, some beautiful, but all revealed with restraint–so that by book’s end, we are left in wonder. 

–Linda Gray Sexton, author of Searching for Mercy Street: My Journey Back To My Mother, Anne Sexton and Half in Love: Surviving the Legacy of Suicide

In Out from Calaboose, Karen Corinne Herceg traces what one might call a karmic trajectory from oppressive relationships in adult life back to a controlling or absent parent whose chiseled stone dates leave “impressions in her flesh.” And, after that, to a freeing.

Roberta Gould in the Foreword

Herceg is a grand ‘maker’ in our Eastern tradition, an emergence of a fresh American voice that pulls out of her past a dark abyss of time, ‘herding children, objects and desires’ and brings along her story with a ‘feline intensity,’ very much like her cats, never looking hurt, ‘just indignant.’ Here are poems racing against the chill of time and treacherous tides that have washed away years of a young woman who stands now at the threshold of life with ‘her grocery bags’ and sings songs of the new, her new hope in ‘greens and fruits’ tethered to ‘a grassy firmament,’ birthing through ‘a placenta of debts’, cutting umbilical cords, dragging herself throughthe mire of inherited sins in a ‘maternal bloodbath,’ a place where her parents rest in sullen ‘drawers of steel.’ This is a remarkable work, a Virginia Woolf moment stretched into a book of poems, or a Whitman rumination that refuses to come to an end, enamored as it is by life’s ongoing rush. Out from Calaboose affirms Herceg’s faith in a poet’s visionary status as she imagines her hand reaching toward, snapping through ‘embryonic clay’ and sculpting lives that could become whole…

–Yuyutsu Sharma, Himalayan Poet & author of Quaking Cantos: Nepal Earthquake Poems and A Blizzard in my Bones: New York Poems

Often it is a pronounced sense of wonder that makes poets like Karen Corinne Herceg.  In her volume, she is Alice in her Wonderland, a curious child asking Why? Why? Why?  Why are “our impatient lives [spent] in fluorescent lit aisles”?  Why can a mother only offer “left over hippie love before the dusk of empty bottles”?  Why is it that “time chimes clocks as if we were a gift”?  And why do we [keep] “kicking [ourselves] back onto the cross, always just shy of redemption”?  When a child asks Why, she expects a truthful answer.  So does Herceg.  She wants to get to the bottom of just why we break out of our birth shells so passionately, with biting egg teeth, only to construct invisible shields, brick and mortar walls and personal calabooses that separate us from each other.  What drives us?  What forces impose themselves on us?  The poems in Out From Calaboose compile a quest for truthful answers, one of which Herceg instinctively knows when she quotes  Carl Sagan at the beginning of her poem “Alternatives” – for small creatures such as we the vastness is bearable only through love.

Janet Hamill, American poet, author of Body of Water

In her powerful new volume, Out from Calaboose, Karen Herceg clearly demonstrates the loneliness and wonder of a “world scaled for living”(from “Tableau”). Herceg’s is a world fueled by travel, whether it is global wanderings or the travelings of a troubled spirit seeking rest or resolution: “Will anything stave off this thing/called salvation–/how if we pine and ponder enough/somehow we will deserve explanations” (from “After Me, The Poem”). Her verse can often be troubling, as when she describes the transparent boundaries separating creatures from nature (the immolation of birds as they hit pane glass, a sacrifice to hubris); culture from culture; people from each other; and humans from nature: “tree bark flakes/plants wither/glaciers melt and slide/and we watch it on monitors” (from “Corporate Menu”). Once she has her reader thus in thrall, the poet ups the ante in positing a world fueled by despairing travail and the imminence of death: “Can we only be saved in loss?” (from “Epithalamium”). But then it becomes evident that the poet has a different world-view in mind when she juxtaposes such darkness with the idealism of her elegant and touchingHudson History:Honoring Pete Seeger” in which she infers the redemptive power of hopefulness, of what the world might be, stemming from a new vision. Out from Calaboose is a marvelous, skillful, and evocative work.

Dr. David B. Austell, Columbia University

 Herceg’s poetry has honesty and a sane, healing quality.  As a poet she fulfills one of the most crucial needs of our troubled age: Truth-seeking.  There’s no pretense in Herceg’s approach.”

Robert Milby, Poet & Hudson Valley, NY Poetry Series Host

Nirala to launch distinguished American Poet David B. Axelrod’s “All Vows: New & Selected Poems” in August

 

All Vows final1

All Vows: New & Selected Poems

David B. Axelrod

ISBN 978-8182500822 2016 pp 194

Cover and artwork by Jessica Robinson

All Vows: New & Selected Poems is the most thorough selection from most vibrant contemporary American voice, David B. Axelrod. Result of his forty-plus years as a professional poet, the book is  divided almost equally between new work and poems going back to his first book published in 1968. However, the contents are arranged thematically rather than chronologically including poems dealing with family, nature, sports; poems about prejudice and politics; covering a host of topics ranging from the sacred to the profane.

Current Volusia County, Florida, Poet Laureate, Axelrod writes in direct but clever language—more witty than metaphoric. A poem entitled “Sun Worship,” that recounts the warnings of his dermatologist, ends with the lament, “No one can tell me Vitamin D stands for death.”

 

David with gold medal

Celebrated American poet, editor and anthologist, X. J. Kennedy, commenting on a previous Axelrod collection, said, “For all the artfulness of his poems, there is something unliterary about them—that is, they don’t smell of the scholar’s lamp, they seem at times to have turned up in the Lost & Found department of a hotel in Long Island City.”

That easy artfulness is reflected in the comments of Florida’s State Poet Laureate, Peter Meinke: “Many of us have been reading David B. Axelrod’s approachable, wise, and witty poems for decades, so it’s a real treat to have so many of them collected in one book. All Vows deserves a wide and appreciative readership.”

Art facing 1st Poem

All Vows, with topics from backseat driving to xenophobia, autograph collecting to valentines, is not just an enjoyable read, it is teachable text for poetry, and to make that point, those ordering the book for classroom use can request a free copy of Lessons for All Vows: A Student & Teachers Poetry Guide. The book of new and selected poems has ample samples of a variety of styles, sonnets, haikus, tankas, and poems that serve as prompts for those who write poems of their own. William Stafford, whose own poems were renown for their simple artfulness, described Axelrod’s work as, “Poems to cherish and pass around … a prize to keep.”

 

Revised enlarged edition of David Austell’s Garuda & New Poems of Astral Planes released in Nirala Series

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Garuda & New Poems of Astral Planes

David B. Austell

ISBN 978-8182500785 2016   Hard  pp.76 Rs.495

From Garuda to Saluda (that is, from the Hindu man-bird deity to a tiny town in North Carolina), David Austell’s new collection explores recurring themes of masculine identities and human complexities with precision and grace. This poetic world is one of unerring attention to tight image and emotional nuance, with a sometimes terrifying undercurrent of recurrent meanings drawn from a wide range of cultural allusions, all shared by a guide whose capacious voice can contain both deep mysteries and no small dash of humor. Austell shows us the unforgettable feel of the club of young adolescent “He-men” on a quest for a secret stream; a southern woman looking back to the Dixieland of ambiguities of raced, gendered, and classed expectations; the dangerously aching erotics of the male gaze or the musical score. The final long poem “The Final Pitch on Olympus Mons” is an utter tour de force of baseball, poetics, science fiction, and a shiveringly unstable encounter with absolute Otherness. Not many volumes of poetry are real page-turners as well as perfect pitches: this one is.

-Dr. Meg Harper Glucksman Professor of Contemporary Writing in English University of Limerick, Limerick, Ireland David B. Austell, Ph.D. is Associate Provost and Director of the International Students and Scholars Office at Columbia University in New York City. The Tin Man is David’s third published book of poetry.

David Photo

Your Kiss is a River by Carolyn Wells to be released in March

Your Kiss is a River
Poems of Love, Food and Life
 by Carolyn Wells
ISBN 9-788182-500778  Hard ISBN 9-788182-500761 2016 pp.56

your kiss go press kaveri

Carolyn Wells’s poetry evokes passion and takes in all the senses. Her stunning work entails virtual trips to Chianti country and the South of France, among other destinations, where she vividly describes the essence of place, nature, and exquisite foods. She finds subtlety in the most precious subjects.
Amy Barone, poet and author of Kamikaze Dance

Professional chef Carolyn Wells’s first collection of poems provides a shrewd and sensuous tasting menu of sweet, sour, and bracing servings from life. Spanning three decades and two continents, her poems use ingredients as diverse as childhood losses, youthful passions, Mediterranean languages, and adult decisions to create a deliciously tight, eclectic, and rich body of work. Now living in both Brooklyn, New York, and rural Pennsylvania, Ms. Wells infuses her work with a highly original celebration of nature and human passion.
Zev Shanken, poet and co-director, Thursdays Are For Poetry Center, Teaneck, New Jersey

With “garlic grown from my loins,” in a “tub of champagne grapes” on the “twisted streets of Toulon,” with “my tongue twisted in yours,” on the “back of a Vespa,” Carolyn Wells is a marvelous poet of food and fathers, sex and travel, all of the things worth writing and reading about.
Steve Zeitlin, Founder of City Lore in NYC

A master chef, Wells loads many of these delightful pieces with the joys of culinary experience as well as with other attractions for all the senses. Reading this book, one will learn a thing or two, but more importantly, one will learn to feel in whole new ways.
John Trause, author of Eye Candy for Andy and Inside Out, Upside Down, and Round and Round.

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Carolyn Wells holds a B.A. in French Literature from New York University. In 1983, she moved to France to study French cooking, and remained there for three years, working as a chef on luxury hotel barges. Upon returning to New York, she continued her culinary career as restaurant chef, private chef, and caterer. Currently, she is Executive Chef Manager at St. Bernard’s School in New York.

As a child, Carolyn loved to write poems, and was influenced by her father, an attorney who wrote poetry, much of it love poems dedicated to her mother. Her childhood was spent on a farm in Pennsylvania. She and her sisters rode horses and took care of the sheep, cats, dogs and other pets. Nostalgia for the freedom of farm life is a subject in some of her poems, as is the loss of her mother who died when Carolyn was eleven.

In her poetry, she attempts to recapture childhood joys and losses, and to celebrate the beauty of an outdoor life. In her spare time, she revisits that era by going to her cabin in the woods of Northeastern Pennsylvania.

She is a member of brevitas, and has contributed to Alimentum Journal.

Nirala to release American poet David Austell’s magnum opus, The Tin Man in March

The Tin Man
by David B. Austell
ISBN 9-788182-500792 2016 pp.320 Hard Demy
The Tin  Man

The Tin Man,by distinguished American poet and educationist, David B. Austell, is a very moving homage to a little known but charismatic figure in the Christian biblical narratives, Saint Joseph of Arimathea.

Completed after five years of research and writing, The Tin Man is the poet’s magnum opus.Based on meticulous research in myriad source materials including archaeology, alchemy, religious texts, scrolls and murals, poetry and private writings, Austell conceives a grand narrative poem in epic style regarding the key intersections of Joseph of Arimathea’s life both with Pontius Pilate, Roman Governor of Palestine, and with the strange and charismatic Jesus of Nazareth. The poem explores the experiences of a dramatically flawed man, and the transmutation of his inner being in the presence of the Numinous.

Joseph of Arimathea appears as a key figure in the “passion narratives,” those sections of the four Christian Gospels that focus on the trial and death of Jesus in Jerusalem immediately prior to the celebration of the Jewish Passover in 33 A.D. It is here that we learn of Joseph’s status in the community as a wealthy man, a secret follower of Jesus, and a member of the high council of Jerusalem. It is also here that we read of Joseph’s unenviable task in the interment of the maverick rabbi who many believed to be the Son of the Living God. In the apocryphal gospels and later writings, Joseph’s influential role in the early years of the Christian Church is brought to light. For the first time, we are introduced to Joseph of Arimathea as a member of the Davidian royal family, the uncle of the Blessed Virgin Mary, and the great-uncle of Jesus. Later in the Vulgate, Joseph is referred to as the NobilisDecurio (Noble Decurion). Thereafter he becomes the Roman citizen, provincial Senator, and the legendary Roman superintendent of tin mining operations in the southwestern shires of England. In the final analysis, Austell writes of the life-changes that transform an arrogant and troubled man into a Christian saint, missionary, evangelist, and church leader.

The Tin Man is Joseph of Arimathea’s epic song. As the reader turns the pages, he will find a grand modern day classic which can be read as biography or eclectic rhapsody, either of which demonstrate a vital and visionary saga of great mystery and shared humanity.
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David Austell at Grolier Poetry Bookstore, Cambridge

AN EVENING WITH DAVID B. AUSTELL
2015.4.30.Poetry.Night-11 (2)
When:Thu, 28 May, 18:00 – 20:00
Where:Grolier Poetry Book Shop, 6 Plympton Street, Cambridge, MA 02138, United States (map)

Dr. David B. Austell is the Associate Provost and Director of the International Students and Scholars Office at Columbia University in New York City. David was previously the Assistant Vice President and Director of the Office of Global Services at New York University in New York City for seven years, where he was also an Associate Professor of International Education in the NYU Steinhardt School (adjunct). David has both undergraduate and graduate degrees in English Literature from the University of North Carolina at Chapel Hill, where he also completed his Ph.D. in Higher Education, focusing on International Education (his doctoral dissertation, The Birds in the Rich Forest, concerned Chinese students in the United States during the Student Democracy Movement). In 1992, he was a Fulbright grantee in Korea and Japan. David has twenty-five years of executive leadership experience in the field of International Education, and is a frequent speaker and writer on International Education issues. David is also a poet, and his first book of poetry, Little Creek, was published in January 2011 by Nirala Press. His second volume, Garuda (also published by Nirala), was released in March 2012. In 2014, Nirala reissued Little Creek in a revised paperback volume. His fourth book, The Tin Man, is expected from Nirala Press in January 2016. David’s poetry has also appeared in Infusion Magazine and The Red Wheel Barrow.
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Presentación del libro “POEMAS DE LOS HIMALAYAS” Del poeta Indio-Nepalés Yuyutsu Sharma

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Presentación del libro
“POEMAS DE LOS HIMALAYAS”
Del poeta Indio-Nepalés Yuyutsu Sharma
Sábado 25 de Abril – 1 pm
Poemas Image
LECTURA DE POESÍA

Yuyu with book
Una de la voces más importantes de la poesía nepalesa y de mayor reconocimiento internacional.
Yuyutsu Sharma estará con nosotros y nos ofrecerá una lectura bilingüe (sus poemas acaban de ser traducidos
al español) junto a tres excelente poetas:
Samantha Wischnia,
Alejandro Chacón y
Evgueni Bezzubikoff
quienes leerán
poemas propios y célebres.

Ven a celebrar el MES DE LA POESíA con los propios poetas.

Ossining Public Library
53 Croton Ave, Ossining, NY 10562
(914) 941-2416

Ossining Public Library ossininglibrary.org/ The Ossining Public Library